March 1998


The 'Shrink's List of Top 10 Films' and Other Insights on the Academy Awards

The "Shrink's List of Top 10 Films of 1997:

1. "The Sweet Hereafter": The overlap between the psychological need for avoiding pain, the desire for revenge and profit, and the moral imperative to do right are poignantly portrayed through an array of different characters' responses to the film's tragic school bus accident.

2. "The Ice Storm": The modern-day version of a biblical moral story, this film shows that the children of adulterers feel lost and they imitate the perverse experimentation of their parents in a desperate attempt to connect with humanity.

3. "Good Will Hunting": Finally, a film which presents the therapist as a real person. (See story below.)

4. "As Good As It Gets": This film taps into our repressed wish to say the outrageous and speak the unspeakable. But the movie is clear about the reason we are willing to be considerate of others. If we are not, we will be rejected.

5. "Wings of the Dove": The story conveys the fragility of love -- that once it is perverted, it cannot be purified.

6. "Washington Square": This movie shows how the unconscious hatred of a father toward his daughter allows him to control and destroy her life out of conscious concern.

7. "Bent": A profound story of the triumph of love and free will in a German concentration camp. The film also conveys the true source of homophobia -- denial of the danger from within.

8. "Deconstructing Harry": What is really interesting about this film is that we know so much about Woody Allen's life that what we see on the screen becomes a comic parallel to the real thing. We also wonder if he is using neurosis as an excuse for bad behavior off the screen.

9. "Ma Vie en Rose": The movie conveys how threatened people become by sexual diversity.

10. "The Boxer": Set in Northern Ireland, this is a unique story of integrity, redemption and going home again.

San Francisco Psychoanalytic Institute candidate Judith Schiller, Ph.D., compiled the Top 10 listing and is available for media interviews.


"Good Will Hunting" = Good Psychotherapy

As the curtain falls on "Good Will Hunting," an Oscar nominee for Best Picture, we cheer Will Hunting's decision to follow his heart in pursuit of Skylar and Stanford. And we nod in agreement when someone suggests that Hunting (played by Matt Damon) could not have made that choice without the help of his psychotherapist, Sean McGuire (played by Robin Williams).

"In a therapy that truly works, a genuine connection is made between both participants on a level playing field," says Mark I. Levy, M.D., Chairman of the San Francisco Foundation for Psychoanalysis. "Stereotypes of psychotherapy place the analyst on a pedestal, handing out advice to an emotionally weakened patient. With true psychoanalysis, a real engagement takes place between the two, and by the therapist and the patient each identifying their own weaknesses, growth occurs for both."

Another element of the relationship between Hunting and McGuire which rings true is Hunting's contempt for the very therapy which is his saving grace.

"The last thing acting-out adolescents want to do is go to therapy," explains Levy. "Therapists who are good at working with teens are like surfers. The therapist rides the waves of resistance and emotional provocation that kids send at them. And as the therapist survives each wave, the teen gradually develops trust in him/her."

Levy is quick to caution that not every psychotherapy relationship will have the dramatic results portrayed in "Good Will Hunting" (this is Hollywood, after all). "However, a patient should trust his/her instincts and find a therapist whose emotional authenticity comes through loud and clear, even in the first few visits," says Levy.

To interview Dr. Levy, please call Mary Tressel, San Francisco Psychoanalytic Institute Media Consultant, at 800-260-2663.


Stargazing: It's Part Transference Phenomenon, Part Voyeurism, and the Need to Be Part of Something Big

What is it about the Oscars that will have most Americans glued to their televisions on March 23rd? Stargazing, you might answer. "Well, technically, the term is transference phenomenon," says Arthur M. Hoffman, M.D., a San Francisco Bay Area psychoanalyst.

"Transference phenomenon occurs when someone reacts to you with feelings that are really about themselves," explains Hoffman, a member of the San Francisco Psychoanalytic Institute. "For instance, someone may be watching the Oscars and thinking, 'If only I were Helen Hunt, I'd be happy,' knowing in her heart that this is not true."

Another psychologically appealing feature of the Oscars is voyeurism. "We watch for the mistakes, the tripped up acceptance speeches, so that we can say to ourselves, 'Those stars are no better than me,'" says Hoffman.

Finally, why do we root for our favorite film, actor or actress? "By picking a winner, we make ourselves part of a bigger reality -- our culture," Hoffman says.

To interview Dr. Hoffman, please call Mary Tressel, San Francisco Psychoanalytic Institute Media Consultant, at 800-260-2663.


News Room is published as a service to the media by the San Francisco Foundation for Psychoanalysis.

Chairman/President and Scientific Editor: Mark Levy, M.D. (415) 388-8040

Executive Director: Katharine Volz (415) 563-6065

Managing Editor: Mary Tressel ( 800 ) 260-2663

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